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  • Apollo riding the chariot of the Sun across the heavens. Engraving by J. Sadeler after M. de Vos.
  • A marble altar to Apollo. Etching by G.B. Piranesi, ca. 1770.
  • Apollo: Romans sent to consult the priests of Apollo at Delphi about an attack of the plague. Etching by J. de Longueil, 1769, after J.M. Moreau.
  • Front and reverse of a medal presented to Jenner by naval medical officers in 1801. Engraving, 1801, after a medal made by T. Harper.
  • Apollo flaying Marsyas. Line engraving with etching by G. Viviani and A. Conte after L. Pompignoli after G. Biliverti.
  • A woman with five breasts on a pedestal, with attributes of nature and the elements, and with Apollo next to her seated on a cloud; men with various experimental instruments below them; representing natural philosophy. Engraving by A. Schoonebeek, 1692.
  • Apollo. Ink drawing.
  • The horses of Apollo being groomed by two Tritons. Engraving by E. Picart, 1675, after G. and B. de Marcy.
  • Apollo with his bow, having slain the Python. Engraving by W. Grainger, ca. 1790 (?).
  • Apollo, god of literature, plays his harp; a town goes about its rituals. Engraving by J. Sadeler after J. van der Straet, 1594.
  • Apollo sits on a mound, his lyre beside him, and points with his right hand to two men who face him; illustration for a fable. Etching by J. English.
  • Apollo descending to kill the Python, surrounded by men and women of Delphi; representing the power of music to affect the human mind. Etching by Agostino Carracci after A. Boscoli after B. Buontalenti.
  • Apollo presiding over a gentleman of sensual appetite; representing the sanguine temperament. Etching by J.D. Nessenthaler, ca. 1750.
  • Apollo. Engraving by J.B. Bernaert.
  • Apollo and Daphne. Engraving by P.S. van Gunst after Titian.
  • Marsyas being flayed by Apollo; Juno (Hera) and Jupiter (Zeus); the rape of Oreithyia by Boreas. Etching by P. Aquila after Annibale Carracci.
  • Apollo and a woman play music near a fountain, while a winged nymph sings; representing music. Etching by C. Schut after himself.
  • Apollo Belvedere. Stipple engraving by G.A. Demarteau after Grangé.
  • Apollo and the muses. Engraving by Marais after G.B. Wicar after Giulio Romano.
  • Twelve stages in the sequence from the head of a primitive man to the head of the Apollo Belvedere. Coloured etchings by Christian von Mechel after Lavater, 1797.
  • The head of Apollo, his physiognomy having metamorphosed from that of a frog. Coloured drawing by J.C. Lavater, 179-.
  • Apollo. Etching.
  • Astronomy: Apollo as the Sun god with his bow and arrow, an angel above, looking heavenward. Engraving by N. Dorigny, 1695, after Raphael, 1516.
  • Aesculapius and other ancients are presented with exotic materia medica from the far east, which are turned into medicines in a pharmaceutical elaboratory. Oil painting by Johannes Prey, 1791.
  • Apollo. Etching by T. Worlidge.
  • Allegorical figures, including Apollo: one supports a portrait roundel of Karl Theodor, Elector Palatine, with attributes of the fine arts and of war; a view of a city beyond. Engraving by B. Hübner, 1776, after N. Guibal.
  • Apollo. Engraving by P. Fontana after L. Fineschi.
  • The Apollo Belvedere. Etching by R. Dalton, 174-.
  • The Apollo Belvedere. Etching by F. Perrier.
  • Astronomy: the sun god (Apollo) in his chariot. Engraving by C. Lasinio after Raphael, 1516.